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Showing posts with label tutoring. Show all posts
Showing posts with label tutoring. Show all posts

Monday, November 16, 2015

Writing Teacher as Choreographer

Choreographed Prompt
by S. L. Lipson

My student does not like it
when I play peppy classical music--
or does he?
He fidgets with his pen,
raising and lowering it,
but not onto his paper,
where he is supposed to be writing.
He waves the pen,
watching it as if watching a windshield wiper,
to the rhythm of the music.
He's conducting, not creating,
joyfully unproductive.

Maybe classical music deafens his muse. 

I switch radio channels to blues 
and his pen stops dancing, 
as he leans back in his chair
and takes a deep breath,
then leans forward and lowers his pen slowly
to his mostly blank page.
He starts writing, word by word at first,
and suddenly in a stream.

His posture projects passion through his pen.

Finally, he clicks his pen shut, rereads, sighs, 
and looks up at me.
"Wow, this is the saddest thing
I've ever written."
His eyes look glassy.

I smile,
a content choreographer.  

For more poetry by S. L. Lipson, check out www.susanllipson.blogspot.com, my other blog titled "Writing Memorable Words."

Tuesday, December 16, 2008

How To Get the Most out of Your Child's Writing with the Least Amount of Hair-Pulling

ALWAYS:
1. Listen to the student read the entire work before making comments. Better yet, read the work aloud to the student. By listening, you will focus more on substance than on mere proofreading errors that catch your eye.

2. Ask questions about what the work conveyed (what you ask will also show what the piece has NOT conveyed.) Read only what appears on the page, without “filling in the blanks” for the student, even if you DO know what he/she meant to say. Address questions line by line, as needed. Rephrase Q’s if the writer seems exasperated.

3. Offer to help the child come up with a better line, as needed, based on the explanations he/she provides in Step 2, above. Suggest alternative words ONLY if your child has accepted your offer.

4. Ask the child to reword lines you suggest, so he/she can own the revised words.

5. Separate substance from form, if possible. In other words, leave proofreading (corrections of spelling, grammar, format, and punctuation) for the final editing phase. Focus first on meaning, flow, power of language, clarity--how the piece touches you, as a reader, overall. Focus on writing as a means of verbal communication between the author and the reader.

6. Suggest that the student double-space all writings (to allow room for editing and revisions), and type the work, if s/he can.

7. Proofread the revision with the author by your side, asking the child to identify errors and omissions, before you correct them.


NEVER:
1. Never interrupt the first reading of the child’s work, whether you read it or he/she does. (Often the author will stop him/herself during this initial reading to self-edit.) Never disrespect a young author by rushing the editing process.

2. Never tell the child what’s wrong; SHOW it subtly via your questions (see “Always” column), which help the student discover necessary revisions on his/her own. Never say “That made no sense!” or “What were you SUPPOSED to write?” or “You can’t turn in something so sloppy to your teacher!”

3. Never dictate: “I think you should say...,” or “You need to add this…,” or “Change that…,” or “Why don’t you write...;” and never make any suggestions until your child answers “yes” to your offer of help.

4. Never let the writer simply transcribe your words. It’s not your homework.

5. Never focus on form or proofreading before substantive editing. Never say, “What kind of grade do you expect, with all those misspelled words, and such a messy presentation?!” Your child will think of writing as filling a paper with neatly printed words, and revising as fixing misspellings and errors in punctuation and grammar. Grades will take precedence over clear communication.

6. Never recopy or retype the student’s work without your child asking you to do so. AND, if you do recopy or retype, never edit as you go; rather, preserve the errors for him/her to catch on the next revision.

7. Never mark up the paper and say, “Here.”